Falling Off A Cliff

Flash Fiction Challenge 2016 #1

Group 50

1000 words – Genre: Suspense Location: Used Bookstore Object: Passport

 

Falling Off A Cliff

At the bank, she looked right and left as she approached the ATM. A single woman living alone in the city must be alert to her surroundings at all times.

Everything of value she had left was in the small purse with the shoulder strap that she wore like a sash tautly wrapped across her upper body. It was a precautionary habit. A friend’s purse had been snatched in broad daylight on the same street in the blink of an eye.

She tucked the large cash withdrawal into envelope in her purse that contained her passport, a non-refundable plane ticket for home, a check for her last rent payment on the small studio apartment that had been her sanctuary for the last four years.

This last check and door key she would deliver to her landlord’s drop box Monday morning before she took the subway to the airport to catch her flight. Her father and brother had come and gone this morning with her possessions packed in a U-Haul hitched to the F-150.

The used bookstore off the alley behind the bank had no sign or numbered address. You had to discover it as a local and know it was there. It had random hours. Available selections were eclectic and change in stock was gradual and unpredictable.

She had found a few fictional treasures there during her time in the city. The store was her secret wishing well of magical solitude and though she had not planned to give it a last visit, the desire for a book made its location opportune.

A structural oddity cut into the middle of the back walls of an old church building. The doorway was a narrow opening into an elongated horseshoe floorplan that used every inch of space to display inventory. A long, deep, one-way meander with paperback and hardcover books on floor to ceiling racks arranged alphabetically by author.

Not for the claustrophobic, the place smelled dusty and musty and the uncirculated air felt thickly thin.

Entering the door, past the cashier seated on a stool behind a counter, a single file one-way walk down the left aisle went around in a U-shape to the right aisle which led back to the front door, which was the only exit.

There were never more than one or two customers in the store at a time.

Seeing another person inside upon entering, she had developed a common courtesy to back up and wait outside until the other person had exited.

She never had to wait long.

Like a public restroom. It was a place you visited for a short time, alone. A quick browse, in and out. On occasion, an impulse buy.

Chance Meetings was the title she was focused on.

“Do you believe in things like that?”

His voice was a low growl, lips close to her ear, almost a whisper. He had such a keen line on her gaze. She realized he had targeted the precise place her eyes were looking.

Startled to her core, she was amazed she did not shoot through the top of the bookstore roof like a rocket launched by the sensor of his unexpected presence.

Inexplicably, she felt calm and collected. She picked up a scent of Teaberry gum, the kind she used to search for in her grandfather’s flannel shirt pocket.

Coolly and without fear, she turned to look directly into a young man’s friendly face.

Azure blue smiling eyes with a set of slightly open smiling lips to match. He had a black backpack slung over one shoulder, which suggested he was a student. It also meant he blocked the aisle way back to the entrance door. Standing beside her as he was, she had no way to exit and had to continue.

“I’m rarely lucky in that way,” she replied.

“Maybe I could change your mind.”

“I don’t think so.”

She moved along, turned sideways as if browsing. She did not want to appear to be walking away from him frightened in any way. Her heart fluttered as he sidled along with her as they made the U-turn to the other side.

Out of the corner of her eye, she saw he was carrying the Chance Meetings book.

“Are you actually buying it?”

“For you.”

“Why?”

“Maybe I want to change your mind. It’s a gift.”

“It’s too large. It won’t fit in my purse.”

“Everything you take on has to fit in that small purse? Does that mean you find size limiting?”

“Everything I have or will need is in this purse.”

“Are you joking?”

It was true. She had pleaded her final case long distance last month.

“I am trying to find work, Dad. I just need more time.”

“We can’t give you any more money. You can stay on the farm as long as you need to. Until you find a way to support yourself. It’s a gift.”

“It’s a gift horse.”

“If that means a kick in the ass, you got that right.”

“I feel like I am jumping off a cliff.”

“It’ll be a soft landing, little bird. You’re returning to the nest.”

She was staring blankly at this young man with a flattering glint in his eyes and the offer of another gift she was reluctant to accept.

“I’m dead serious. I’m about to jump off a cliff. This is my parachute.”

“Where are you jumping from? I’d like to come watch.”

“This is my last weekend in town. I came in here to look for a book to read on the plane. I shipped off all my things this morning. I didn’t remember to keep a novel out.”

“Maybe we can kill the time together.” He held up the book and pointed at the title like it was the answer to all my problems.

“I’m leaving…I’m on my way out.”

“Yes and I’m right behind you.”

“Look, there’s no point to pursuing me.”

“Excuse me. But since you are my prey, isn’t that my decision to make?”

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Flash Fiction Challenge #2 – Gr 16

 Having Two Nickels to Rub Together

Alma sat on bench at Union Station next to an information booth for tourists closed on Sundays. Her lower back and legs ached, a pinching reminder of the extra weight she was carrying. She had no purse, toting a canvas bag of yarn as a lifeline to work at, keeping her hands always busy as her mother taught her.

Trains came and went through Columbus, but Alma had never traveled farther than 50 miles from her hometown. She was born in 1906, in a rented house on the west bank of the Scioto River. In sleepy quiet dawns and sweat-soaked August nights, Alma remembered hearing train whistles, but these did not figure into any imagination of a future.

Alma never dreamed of faraway places. She wanted a husband to care for, a home to keep clean, and a family of her own. Like her mother, she never learned to drive. Her father and brothers drove. After, she was married, she depended on her husband.

It didn’t matter when they could no longer afford to keep a car. To get where she needed to go, she did not mind walking and enjoyed it even more when pushing a baby carriage or holding the hand of her own child as she made her way.

Alma was content to sit and rest her feet, even if it meant minding her crazy father in law.

“We shouldn’t have come, I tell you. I woke up this mornin’ with a bad feeling.”

“You just drunk too much last night, Burche. That’s all there is to that.”

Her father-in-law, once a young man of means was now just a mean old man.

“Lyin Bitch! Was Branch who killed that bottle off. He come to bed too limpwicked to bother with you, I dare say.”

Alma sighed, knitting a few rows more of a baby blanket to add to her growing layette while keeping her eyes on her immediate family directly in front of her.

Her husband of seven years stood close to the tracks like a rooted tree with their two children extending from each outstretched hand. Branch was big-boned, with a strong chest and broad shoulders, sturdy and fit; he was a proud man and Alma was proud of him, proud to be his.

Alma’s brother, Joe, a switchman, told Branch of a new machine for cooling passenger cars being demonstrated. Branch had keen interest in seeing this sight. Trained as a master plumber, Branch got distracted by his love of gadgets and machinery. He dreamed of becoming an inventor, dabbling at air conditioning designs for years.

Seeing this newfangled contraption to cool passenger train cars proved fascinating to Bo, but its mechanical marvel was of little interest to Bitty. She was biding her time, dreaming of her turn on the mechanical pony ride outside the dime store across the street.

“My son will die young. A voice told me: Today’s the day.”

“Today’s the day the Lord has made. I trust He’s watching over us, Burche.”

Branch, was the only son of Burchell Stiles, who sat beside Alma, a broken man.

Once the owner of a plumbing supply company, Burche lost everything in 1929, when his trusted bank failed. He began listening to the voices and followed their advice to burn his house down before it was foreclosed. He was committed to the state hospital for a time.

“Go on and don’t believe. But it was foretold to me the crash was comin’.”

“You was foretold a boy ‘when I had Bitty and a girl when I was carryin’ Bo.”

“I got them crossed up but this one comin,’ I know for sure. My voices say, you’ll lose this child.”

“You say such things you’ll be locked back up before our baby comes.”

Alma was relieved to see Branch walking toward them with the children. They had planned this outing to include a special treat and she was ready to get on with it.

Unfortunately, Branch was distracted from best-laid plans once again.

“There’s a guy over yonder selling broke-open bags of rice three for a nickel.”

“Mice has got into ‘em and left a pile of shit.” Burche hooted.

“Probly so, Pap, but there’s good left. Trust Alma to cook the shit out of it.”

“Wish’ed we had us a nickel.” Burche lamented.

“We got two, Pap.”

Alma gasped, “You promised those nickels to treat our kids to a pony ride and Hershey bar.”

“Six pounds of rice. You’re eating for 2. Can’t pass it up.” Branch kissed Alma’s forehead and patted her belly. “I’m rubbing our two nickels together to keep you satisfied.”

Alma felt his fingers creeping into the front pocket of her maternity dress to snatch the handkerchief they were tied into. “We’ll need your tote bag to hold the rice.”

“Aren’t all of us goin’ home together?”

“There’s loading work. We might get in a few hours earnings.”

Alma doubted they’d get work. The foreman would pick his favorites and the rest would remain idle, throwing dice to win a swig from some bottomless jug. That might be just the thing Branch couldn’t pass up.

As Alma gathered up her knitting to leave, a woman traveler approached.

“Excuse me, but where did you get that knitted football? I want to buy my boy one.”

“I have no money to buy such. I made it.”

“I see you’re clever with a needle.”

“It’s my husband who’s clever. And, my mother who taught to make rice dolls.”

“I’d give half-dollar for that football.”

If Branch kept his word and brought her six bags full, there would be enough bad to make Bo another football even bigger.

“I’d take two nickels to please your child. That’s all I’d need to please both mine.”

Alma trusted Bo would soon forget about this temporary loss given a mechanical pony ride and chocolate bar to remember much longer.

She was no inventor but she knew how to make right things happen out of wrong.

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Flash Fiction Challenge #1: Gr 16: “The 53rd State”

“The 53rd State”

“State your full name.” The BLUE tour bus conductor raised his receiver wand.

Momentarily mesmerized by his striking looks, I found my reason for revolution in his dark brown eyes and smooth copper skin, a dominant trait of Subcontinental people.

I assumed he was Sri Lankan, of that influential faction rising to prominence in banning GMOs world-wide, part of the mass international migration of the Great Secession. That was long ago when the 51st state of Organica was formed in solidarity to eat 100% organic foods and reproduce naturally.

His presence among the current Humanist leadership, now forming the 53rd state of New Humanna to regenerate original ideals of life, liberty, and pursuit of happiness, was idealistically reassuring to me.

I suspected his diversity was intended to be off-putting to a bus filled with look-alike BLUE models, attempting their escape from the 52nd state of Genomia; my home, where eating was rendered systematic and genetic engineering was the way of life.

I was determined to change.

Cultivated from conception as a BLUE model, I was in the final stages of basic training required to dissent. I needed to trust my instincts and learn to interact with others different from myself as a Humanist Pilgrim seeking admission into the 53rd state.

“Papaya Marjoram BLUE.” I croaked into his device, trusting voice recognition would verify positively despite my raspy resonance.

My throat was raw from two previous days spent fighting my gag reflex by drinking applesauce and training my virgin throat to swallow solid bits of bread in preparation to eat real food on the Taste Test portion of this Sensory Experience tour.

The permanent stomach feeding tube I depended on from birth for daily intake of prescribed nutrition was removed on Tuesday. Control shifted to me; a scary, yet exhilarating feeling for a BLUE model unused to choice.

I felt ready to choose for myself now.

A green arrow illuminated on the conductor’s smart wand, indicating my access authorization was complete.

“Climb aboard and take your assigned seat.” He scanned my boarding pass for seat 42 and issued me VR headgear with earpiece inserts.

“Should I put them on?” I asked.

“Follow instructions. Did I say to put the headset on?”

“No.” I felt slapped.

“Do as I say.” He commanded.

I knew I had to watch my step.

Civil disobedience as a BLUE declaring myself a Humanist secured my acceptance into the Pilgrim Program, but this same trait could easily disqualify me, just as it had permanently severed my ties to home.

It required courage to make such a bitter break and leap of faith.

My parent monitors had been served my defection papers, ending their Genomian lineage as an epic fail. My BLUE design model would be discontinued, pending detailed analysis of what caused its malfunction.

As I walked 10 rows back to my assigned seat, I passed matching sets of blond heads and blue eyes gazing forward. It was no surprise these other BLUE passengers looked familiar as mirror images.

All Genomian BLUE exiles on this BLUE tour bus, we shared a Fortune-500 genetic make-up, just as GOLD models were designed as athletes, REDs as scholars, and INDIGOs as artists.

Each conceived from the same BLUE model, we were individual brothers and sisters that had never met. Yet, we would be transplanted as pairs into the 53rd state.

Experimentation had shown that carefully matched genetically-engineered cross-gender pairs working together as a unit acclimated more quickly to strange surroundings and supported one another in achieving initial goals of the Pilgrim Program.

I was eager to encounter my closest cross-gender match.

The male already settled into seat 41 was a brown-eyed BLUE—a recessive mutant.

I was thrilled!

That he was genetically my brother but appeared so different reinforced some innovative characteristic in me and filled my mind with diverse possibilities.

We sat in silence, staring at identical screens attached to the seat backs before us.

QUIET PLEASE.

AWAIT FURTHER INSTRUCTION.

A bit concerned he would find me ordinary to look at, I initiated a quiet demonstration.

Placing my lips against his right ear, I whispered, “Yesterday, did you prefer touching to being touched?”

Pressing his lips to my left ear, he replied, “I liked both.”

To show I was an extraordinary BLUE inside, I reached for his hand and squeezed. He squeezed back and held on.

We had our kindred connection.

It took 20 minutes more to load the tour bus completely.

Our screens displayed new instructions:

FASTEN SEATBELT.

PUT ON HEADSET AND ACTIVATE.

I felt the tour bus lurch forward as the VR played a multimedia profile of my partner: Mango Terragon BLUE. The on-screen counselor explained our common alleles and how each BLUE trait had manifested in him in comparison to me.

The program concluded with an instruction to remove my headset. Timing was perfect. Mango was removing his headset at the same time.

The tour bus was stopped.

Our screen displayed new instructions:

PROCEED TO STOP #2: BAKERY.

PLEASE EXIT AND SHARE A CINNAMON ROLL.

I smiled and licked my lips, remembering how the cinnamon roll sample provoked my strongest electrocardiogram reaction in the SMELL session of tour. Our partnership was solidified when its sweet aroma attracted Mango, too.

“A taste of cinnamon it is!” I proclaimed.

“It seems we will become bakers.” he nodded.

“Only if we eat our cinnamon roll.”

“Aren’t you feeling hungry, Papaya?”

“I’m not sure what hunger feels like.”

“Just as I’m not sure what a cinnamon roll tastes like.”

“If it tastes as good as it smells, I don’t think one will satisfy both of us.”

“Then we should each have our own. Sharing doesn’t mean splitting.”

I was pleased he already sensed what I wanted.

“We are two like heads, Mango. Better than one.”

“Just as two cinnamon rolls could be.” He reached for my hand.

“It could be.” I grasped on.

We exited the tour bus and walked toward the bakery to take our final test together.

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A Catch With Dad – Part Two

My father’s relationship with video players began because he loved me.

He bought a video recorder and player in 1982. My father was frugal, more patient than impulsive. Video recording was a new technology and very expensive at the time. My dad was naturally attracted to mechanical gadgets, but not, by nature, an early adopter of the latest craze in electronics. He usually waited for the price to come down before he indulged.

The primary reason he bought that cutting edge video tape player was because I was teaching a college level class, while attending graduate school in Boston, which had been videotaped. A method I had developed as a student teacher was being recognized and excerpts from the taped session were being presented as part of a symposium on teaching effectiveness. I was given a personal copy of the videotape of my entire class session on VHS format. I told my proud parents about the tape but at that time I had no way to view it myself let alone share it with them.

Knowing of its existence, my father went out and bought a video player so that we could view it together when I came home for Christmas. The VHS tape of me teaching was the first tape in his collection. He had this initial reason, but he recognized there was additional value in making the purchase. He would be able to collect video tapes of classic movies he loved, recording “for free” from television, and playing them back the same way he collected vinyl recordings of the music he loved to play on his stereo system. And, he could save and share these tapes with me when I was home for a visit.

And, as Bogie said to Louie in Casablanca, “It was the start of a beautiful friendship.”

In the late 1980s, there were small local video stores where you could go to rent videos. You would pay a fee and get a membership card and then be able to rent feature movies on VHS tapes. I had paid for a membership card and could rent recent first-run movies that were being sold on video, but not yet shown on TV, for a three-day rental limit. My father didn’t have a membership. He still preferred to tape older movies off of broadcast TV and had the patience to wait. He treated me to older classics and I treated him to new releases on tape.

By this time, I was back in Columbus, working full-time, and no longer living in my parent’s house. I would rent new movies for the week and share them with my dad. He would often return the movies to the video store for me because his schedule in retirement was more flexible. At that time, I traveled out-of-town for my job and worked long hours when I was in town so there wasn’t much opportunity for us to get together to watch movies as we used to. Video tapes went back and forth between us.

And we still would talk about the movies we both watched on our own when I would come by and sit with him at the bar he had built-in his basement for entertainment. We would listen to his records playing on his stereo in the background while talking:  “Did you like that story?” “Did you notice this or that?” “What did you think of his or her performance?”

Back and forth…we tossed the ball.

I remember something extraordinary that happened during this period of time. It haunts me to this day. But I believe it is supposed to.

One Friday, I stopped by the local video store and rented the movie Field of Dreams on VHS. The original release, starring  Kevin Costner, had been a first-run feature showing in theatres in 1989, but I had not seen it. Since it was a new release, there was a three-day rental limit. I had something to do that Friday and Saturday, so, I remember dropping the movie off at my parents’ house, figuring my father could watch it first, and then I could watch it myself on Sunday when I was free.

Early that Sunday afternoon, my dad called me on the phone.

“What are you doing?” he asked me.

I don’t remember what I was doing. I was probably feeling tired when he called. I had worked at my stressful job all week and had been tied up with some commitment on that Friday and Saturday. I was probably catching up on paperwork, doing laundry or cleaning, or possibly even just being lazy, trying to recharge my batteries for the week ahead. And, probably I told him the truth when he asked what I was doing. I am sure he had already contemplated my unavailability. Since I hadn’t called or stopped by my parents house to pick up the movie by this time, he had figured out that I was probably not going to set aside the time to watch it.

“Field of Dreams is a three-day rental. It needs to be returned by midnight.” he told me.

“Did you watch it?” I asked.

“Yes.”

“Okay, well, why don’t you just go ahead and return it. If you thought it was a good one, I’ll re-rent it and watch it when I have more time, and then we can talk about it.”

“No. I want to come to your house and watch it with you.”

“You mean today…right now?”

“Yes. Can I come?”

It is hard to say what I was feeling at that moment. I remember I was caught off guard by this suggestion. It seemed somewhat out of the blue. This was unusual behavior on his part to come to my house just to watch a movie.

Ordinarily, he wouldn’t just come by or drop in for a visit to my house in the easy way that I often came home to my parents’ house. Typically, when my father came to my house, it was to fix something or help me with some project. Usually, he came with my mother. Normally, I had to ask him to come, and most of the time, when I did, I had some need; or if he had something in mind to do for me, he would have my mother call to see if it was okay if they stopped by, so he could take care of whatever repair or improvement he had planned.

We didn’t just”hang out” at my  house they way we did at his house where I grew up. So, I am sure I was surprised at the oddity of this request.

I was probably feeling a little annoyed, thinking that he was upset with me for spending good money to rent the movie, and then letting the deadline expire without watching it; and he didn’t like to see me to wasting my money like that. I was also probably feeling a little discomfort about not having my house in ship-shape order for him to visit because I knew my father liked things neat and tidy. Weary from the daily grind of climbing my early career ladder, I probably didn’t really feel like watching a movie right then because if I had felt so inclined, I would have driven there that morning to retrieve it.

But when I didn’t come by and I didn’t call, my father called me.

He wanted something. That was unusual. My father didn’t want many things. He wanted to watch a movie with me. Now. We had watched hundreds of movies together before. So, it didn’t strike me as something earth-shattering or particularly significant in the greater scheme of things. But, I didn’t ask him why he was so compelled to have to watch this with me now. I followed my heart and just said, “yes.”

“Come on over.”

And I am sure I hurried to pick up my place, polishing the outside of the apple, in the twenty minutes it took him to drive there.

He came alone that day. My mom didn’t come along. When I opened my front door, he was carrying the videotape with him in his hands, wrapped in the video store bag.

I am sure we had a hug because we always did. But there wasn’t a lot of conversation. He didn’t comment about the crumbs of dirt on the rug or piles of paperwork pushed to one side on the table. He had come there for a purpose.

“We’ve got a movie to watch.”

The TV set I owned was 19-inch portable color model that sat on a small storage cabinet with doors in the corner of my living room. Not exactly the ideal set-up for a shared movie screening. My TV had the old-style picture tube technology, long before flat screen dimension or high-definition quality.

The VCR I had to show the tape was a large, heavy old-style top loader, on which you pushed a button and the loading compartment rose up to allow you to insert the tape. It was, in fact, that first player my father had purchased to view my teaching tape. He had given it to me for my place when he replaced it with a newer model for my parents’ home.

My father put the tape in the player and kept control of the remote.

We had watched movies together at home for as long as I can remember. And when we watched movies at home, we didn’t talk during the movie being shown. We waited for a commercial break. Later, with video tapes, we would pause to take a break or discuss something, and then press play to continue. So, we watched movies as you would in a theatre.

For this viewing, I was sitting on my green couch and my father sat on one of the straight-backed wooden chairs at the dining table across the room from me. My parents had given me the couch for my house when they replaced theirs with a newer one. I am sure we both had drinks to sip on as we watched but no popcorn.

The movie began, and from the start of it, I noticed that my father was watching it, but more so, he was watching me watch it.

As the film’s story was unfolding, since I was watching for the first time with my dad, I remember picking up on certain details that I recognized as being meaningful to him along the way. So, my mind was engaged the same way it always was. Do I see what he sees?

Field of Dreams is about baseball.

So, yes, I understood his love of baseball.

My dad played a lot of sports:  He played football, basketball, baseball, ran track and threw the shot-put; he could play volleyball, horseshoes, golf; he enjoyed swimming, ping-pong, darts, pool, bowling. But I knew, most of all, my father loved baseball.

He had been a very good baseball player. I knew he could hit, field, and run well into middle age and had played for recreation on fire department teams. He had played as a kid and in high school earned a letter. He batted “leftie,” even though he was right-handed. It was a trait I inherited from him. Both of us did everything else right-handed, but we both swung baseball bats and golf clubs as lefties.

I had collected baseball cards when I was a kid just like my dad had done. I wish I still had mine. I really wish I still had his! I had read books about Babe Ruth, Ty Cobb, and Mickey Mantle. We had talked about these players. My dad and I had shared a love for the Cincinnati Reds and enjoyed watching the Big Red Machine together, when Johnny Bench, Pete Rose, Dave Concepcion played, and Sparky Anderson was the coach.

He loved watching baseball on TV. He took his vacations in October when he was still working as a firefighter, so he could enjoy the World Series uninterrupted. He liked to root for the underdog and always preferred when it was a good match-up and went seven games to determine the winner.

In Field of Dreams, a voice from a dream tells Kevin Costner’s character, Ray: “If you build it, he will come.” Even though this suggestion seems like a crazy thing to do and everyone thinks he is crazy for doing it, and while he is doing it, he, himself, is not exactly sure why he is following through on it, Ray proceeds to build a baseball field in his Iowa corn field.

So, yes I understood my father’s love of baseball fields.

My dad had bought a conversion van after he retired. One of his dreams was that he and my mom and disabled sister might take off and travel to all the major league ball parks in that van during his retirement years. But it never happened. He died too soon to accomplish this. As it happened, I inherited his van and I drove it for many years but never to a ball park.

The only ball parks I know of that he went to in his life were the ones in Cleveland and Cincinnati, Ohio. He may have gone to Wrigley Field in Chicago or over to Pittsburgh to see the Pirates when he was young, or he may have caught a game in Kansas when he was in the army, I am not sure.

I am sure of this: When I lived in Boston, I got us tickets and took him and my mom to Fenway Park for a Red Sox game. We saw Carl Yazstremski (Yaz) play in one of his final games that day. It was a dream come true for my dad. He enjoyed every moment and took it all in like Charlie Bucket with his golden ticket getting his tour of the Wonka Chocolate Factory. I realized that at the time. It was a present for both of us.

Just as I was aware how my father was watching me watch this movie on that Sunday in 1989 and he knew that I “got it.”

Back and forth…we tossed the ball.

In Field of Dreams, Ray Liotta plays Shoeless Joe Jackson, baseball’s anti-hero, one of the disgraced White Sox accused of fixing the 1919 World Series, the subject of John Sayles Eight Men Out, another baseball film my father and I had both watched, but not together.

So, yes, I understood how my father could relate to the character of Shoeless Joe.

Sure, he liked to root for an underdog and he empathized with the impact of Shoeless Joe’s fate, being part of something bad that happened and being banned from playing the game he loved to make an example of him. When his baseball life was ruined, Shoeless Joe had to live on without it, and his tragic fate spawned grassroots legend and rumored sightings–like the ghost of Elvis—Joe supposedly wandered around in disguise trying to get in a game.

As I watched the movie with my dad, I wondered if it was Shoeless Joe’s story again that he had wanted me to see with him? Was there some new detail here not to be missed?

My father didn’t dream of being a fireman when he was a boy. I am certain he didn’t stand up in any class and state he wanted to be an appliance repairman either. I’m sure he had youthful dreams of being a professional athlete.

The circumstances of his life dictated that he could not afford to attend college to play football or take the opportunity to join even a minor league baseball team. His fate was set and he accepted it: That he must go to work to support his family; first, the one he was born into; and after that, the family of his own he created with my mother.  He had to live on without it.

The circumstances of his life did not change the fact that he was talented player. He was an All-City center on his high school football team, playing to this award-winning level along side future OSU Buckeye and Heisman Trophy winner Howard “Hop-a-Long” Cassidy.

One day, when I was a young girl, “Hop” was in town and drive by our house and stopped in to have a visit with my dad. I knew he was a famous person but he and my dad stood there in our yard talking as any old friends would, laughing and catching up with each other.

As he was leaving, he bent down and had a word with me: “I want you to know something. your dad was a great football player. He was tough; he made me look good when we played.  He was better than me. He just didn’t get the breaks I did.”

And when my father died, Howard Cassidy called my mother to talk with her personally. He remembered my father with all due respect.

So, I knew this detail. But I knew my father’s real passion was baseball.

And I am certain he could have been a serious contender if he had been able to follow that path, and not just because he was my dad and I idolized him. When he was drafted into the army in the 1950s, there was no war to fight. He played on the army’s baseball team. That was his peace-time cause. When he came home from the army, he had other responsibilities to take on and he had to live on without it.

My father was watching me watch Shoeless Joe taking his rightful place on Ray’s field of dreams and he knew that I “got it.”

Back and forth…we tossed the ball.

In Field of Dreams, Kevin Costner’s character, Ray, has lost his father in death.

So, yes, I understood that same loss resonated within my father.

In the movie, we learn that Ray gave up playing baseball and his course of action in life had disappointed his father and left them estranged.  They had not reconciled nor had they come to any understanding when Ray’s father died. That story was not the same as my father’s. But the important influence and shadow of a lost father figure was a defining force in his life.

My father’s dad died when he was only five years old. It was a sudden death and tragic–he had died of toxemia–blood poisoning–from an injury and there was no penicillin at that time to save his life. My dad had very few actual memories of his father. He remembered his father taking him along for a ride in a small airplane at a local airfield sometime around 1937-38. He had a view from above which would leave a lasting impression even on a small boy.

My father’s family nickname was Sonny. It came from his father who had called him ‘Sonny Boy.” For my father’s older sister, he also had a nickname: Buppy Doll. And, she was ever after called Buppy or Bup; she was Aunt Buppy to me.

My father was told by his mother that he inherited, not his looks, but many of his father’s qualities–demeanor, strength, stance, and mechanical abilities. He missed having a father and it changed the course of his life. As the oldest son, he had to do his best to take his father’s place without knowing him as I had known my dad.

My father kept watching me watch Field of Dreams from his seat across the room from me.

And I am sure he could tell by this point, I was caught up in the movie’s magical story. I was occupied with so many thoughts and feelings as it progressed. It’s structured as it is to keep you guessing…what is the meaning of all this?

In Field of Dreams, Burt Lancaster plays a character called Moonlight Graham.

As we watched the film together that day, this segment was the one I believed had captivated my father enough to want to watch the film with me now. This part of the story represents a point where dreams and fantasy collide with reality and common sense.

And yes, I understood my father could relate to that.

The details of the Moonlight Graham story line are reminiscent of George Bailey’s plight in It’s A Wonderful Life. Just as George Bailey’s dreams keep being thwarted by circumstances of his life, Graham’s youthful dream of facing a major league pitcher for his up at bat is interrupted by fate. We learn how he carried on with his life, gets married and becomes a doctor, but when his wife is sick, he cannot save her. And, this is his tragedy.

In the parallel fantasy universe the film creates, the young boy, Archie Graham, is regenerated and is given another chance to have his dream play out on Ray’s field of dreams. And, we feel happiness for him as his dream is about to come true. Until, suddenly, Ray’s daughter, Karin, chokes on a hot dog in the stands. Graham, who became a doctor later in his life cannot ignore the real-life crisis and must give up his youthful dream again and step off the field to save Karin’s life.

His sacrifice is selfless and heroic. But when he steps across the magical line and transforms from the young boy to the older man again, we understand that he has lost his dream for eternity and that he cannot escape his own destiny to serve mankind.

At this point, I cried. My father was watching me watch and he saw that tears were streaming down my face. He knew that I “got it.” I was convinced that this was the moment in the film that he wanted us to see together. How you make a personal sacrifice to save another and you walk away knowing it was the right thing to do. But you feel the pain of the loss.

Back and forth…we tossed the ball.

All through this movie, you think that there is going to be some greater cosmic significance to the “if you build it, he will come” message.  There is, of course, the idea that the voice Ray hears is God’s but it’s left unclear since the players keep asking Ray “Is this Heaven?”

The James Earl Jones character interprets the experience as some sort of political or societal calling: “People will come. Ray.”

But, to me it felt that it was not meant to be so much a universal message as it was a personal one. Like The Wizard of Oz comes down to: that there’s no place like home and you don’t have chase rainbows that you may find your heart’s desire in your own backyard.

It was not that people will come to see their dead heroes play again–a team of all-stars as you would gather to see in heaven.  But that, for every one individual, there could be some personal story or reason for coming there to see what plays out for them and what they are able to see on this field of dreams.

Because in the end, Field of Dreams is about magical field–a version of heaven–where a boy could play a game catch with his father. Not Shoeless Joe. Not Moonlight Graham. Ray’s father, John. That’s the “he” who comes in the end. Ray gets the chance to see his father again and have a game of catch on the field of dreams. It’s a wonderful scene.

I was engulfed in tears through the ending, letting the significance and importance of what I had gathered from the story overcome me as it did. And my father had tears in his eyes too.

“Dad I love this movie.”

“Yes, I love it, too.”

After the movie was over and the end credits had rolled, there wasn’t much more discussion that I can recall. Maybe we talked about why we liked it some; I am sure we did. But, at the time, the experience felt as ordinary as any other time we watched a good movie we both loved together. We had done this many times before. We would do it more times again before he died.

Back and forth…we tossed the ball.

It was getting late and my dad had to get home for Sunday dinner. I am sure we had a hug because we always did. And I know I thanked him for bringing the movie so we could watch it together and he thanked me for treating him. He returned the movie to the video store for me on his way home.

I didn’t spend much time thinking more about it at that time. I am not sure we ever talked much about it again.

Later, this viewing became more important to me than I ever imagined. I now feel it was more of a vision than a viewing. On that day we watched Field of Dreams together, maybe I did not “get it” as I thought.

So focused as I was on the forest of meaning the movie had for my father and how he related to it based on the circumstances of his own life, I had overlooked the tree; I missed the curve a life can take. I did not consider the message there was for me. Something my father wanted me to understand.

How I could find him one day. But I didn’t understand that then or even after he died. I still needed his help.

And, I believe that I got it.

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A Catch With Dad – Part One

My father was a quiet man.

He was a man of deeds. A backyard superhero with a ready utility belt of tools and dynamic powers of common sense; a real-life matinée idol jumped off the silver screen to come to my rescue and save the day. Sure, he wasn’t faster than a speeding bullet, able to out run a train or stop an accident from happening. Okay, he wasn’t able to leap tall buildings in a single bound or keep from falling off a slippery roof while pretending to be Santa Claus, peeking into my window one Christmas Eve. He wasn’t invincible. He wasn’t a celebrity. He was human. He had his flaws. But he was my amazing dad, the leading man in my life.

My father wasn’t a tall man. He had an athletic build. Broad shoulders, the kind others find easy to lean upon like a bridge over troubled water. He could carry a heavy burden and accepted his crosses in life. He had small feet and hands. Very strong hands.  He used them well. I remember how they looked on the steering wheel, how they worked on a puzzle, how they grasped onto tools, how they reached out to help even before you knew you needed any, how it felt to hold onto them. Security. Warmth. Compassion.

I have my father’s hands. I mean: They resemble his. When I look down at my hands as I am typing on my keyboard, I see the similarities. They have the same structure under the casing of skin, thick knuckles with identical patterns in the lines and creases, even more so as I age; stubby fingers with nails trimmed short yet still apt to attract particles of dirt under the waxing crescent tips. They would fill his gloves but not completely.

I appreciate that my hands remind me of my father, but I realize mine are not so useful with a tool or as important as his were. The last thing I focused on the last time I looked at my father’s body was his hands because I knew I would miss them.

“Hey Dad, can you give me a hand?”

I certainly miss saying that. And I am not alone. I know others miss him, too.

My father was a fireman.

He responded to emergencies and calls for help. He fought fires and helped to save people’s lives and property when he was on duty. It was his means of earning a living. But he was also an appliance repairman on his off-duty days. When something stopped working or was broken, he was called upon to fix it. Repairing things was his second job but it was his first occupation.

There is a funny story about me told to my parents by my kindergarten teacher. At an open-house, she recounted that during circle time she had asked all the five-year olds to stand up and say what they wanted to be when they grew up. The boys wanted to be astronauts, policemen, firemen, engineers; the girls wanted to be ballerinas, nurses, teachers, mommies. When my turn came, I stood up and said, “I want to be an appliance repairman.” My father liked that story.

Sometimes, especially when things stop working or break around my house, I wish I had followed my kindergarten ambition. But I followed a different dream into adulthood.

When I was starting out, making my way, I consulted with my dad and asked him for advice when I encountered questions or problems, though he often frustrated me with his method of guiding me. I would come home to talk to him.

“What should I do, Dad?” “What do you think you should do?” “I could do either this or that, which one do you think would be best?” “Which one do you want to do?” “If I do a, I think b might happen.” “Would b make you happy?” “If I do x, I think I might fail.” “Why don’t you think you’ll succeed?” “If I choose y, I’ll have to give up z.”  “Is z more important to you than y?” “Should I buy it, Dad?” “Do you think you should?”  “Yes.” “Why?” “Why won’t you just tell me what to do?” “Because I want you to tell me what you want to do. Whatever you decide, if it’s your decision, I’ll support you.” 

Back and forth…we tossed the ball.

My father worked hard all of his life.

Early in his career, my father apprenticed and was licensed as an electrician; so, he understood wiring and lighting, how to complete a circuit, the importance of being grounded. Eventually, his mechanical aptitude and need for employment steered him in a different direction. He became a serviceman. He fixed major appliances: Refrigerators, washers, dryers, stoves, air conditioners. 

He could work on cars and small motors also but he didn’t like to. He could build things but he wasn’t a craftsman; mostly he fixed things and improved things. He made things last. He made life better.

He was a handy man to have around. He was generous with his talents. He did work for neighbors, friends, and relatives and would take no pay. These were pay-it-forward favors and after my father’s death, my mother had a line of people happy and willing to provide her needed support and assistance.

Maybe he knew there would be rainy days.

Maybe I noticed how my dad reflected the traits of Henry Fonda’s lone wolf working man, Clay, in the film Spencer’s Mountain; maybe a little of George Bailey’s ethics about taking responsibility in It’s A Wonderful Life; and also possibly a bit of Vito Corleone’s philosophy on reciprocity in the opening scene of The Godfather: “Some day, and that day may never come, I will call upon you to do a service for me. But until that day, consider this justice a gift on my daughter’s wedding day.”

These are all films I watched with him at one time or another and most of them we watched together multiple times. These views helped me understand what mattered most to him in his life.

My father paid attention to details.

He took care of the trees but he didn’t miss the forest in doing so; rather, his attitude was: In order to take care of a forest, you must take it one tree at a time. Problems in life loom large and are complex. The big picture can be so overwhelming, you cannot begin to act or feel hopeless to even try.

He would say: “Put one foot in front of the other.” “Make what little difference you can in whatever you do.” “Make some progress in the place you are at every day.” “Do your best is all anyone can ask.” “Do what you can now.” “Take care of today and tomorrow will take care of itself.”

He learned how to fix things by taking them apart.

People who knew my dad in his life said he could fix anything. But mostly I think of how he kept things working by paying attention when no one else did. Prevention. Maintenance. Back-up (a collection of spare parts). He played chess with things he was responsible for. He anticipated the eventual breakdown. Maybe because he was a repairman.

My father did for others all his life and he did for himself because he always said, “If you want something done to your satisfaction you need to do it yourself.” He believed that and he practiced what he preached. My dad knew what things he could do, and he tried things he felt confident he could do, but he also knew clearly what he could not do and when was the time to hire others.

After my dad died, we discovered all the little jobs he did around the house that went unnoticed before. We learned of these invisible tasks because odd things would break, or overflow, or fall down, or stop working, and we started to see how he must have routinely walked around and checked on things in silent service; how he twisted a bulb in a socket a quarter turn to keep it tightened over here, added a drop of oil on a hinge or glue on a chair rung over there.  

It has been a funny story to tell how my mother thought there was something wrong with the light fixtures in the home they had lived in together. Light bulbs were burning out. “That light bulb has never burned out in 30 years,” she would claim. Truth be told, she had never changed one in their married life together. And I had to think about the fact that my father must have had a routine round going to replace all these light bulbs in the house before they burned out or before my mother had a chance to notice.

My father took care of things. 

He didn’t hide things. My mother knew where all the important paper work was and all the bank accounts and insurance policies, car titles, keys, and tax records. She didn’t know how to operate the pump to put gasoline in her car or change a furnace filter.

He also left us things. Twenty years later, we still raid his supply of screws, nails, washers, hoses, wire, and plastic pieces in labeled containers from the deep shelves under the bar he built for entertainment in his basement rec room. When something breaks, we often find, even now twenty years later, he had kept a back up in reserve and we make the replacement.

He was methodical about completing tasks. That his sudden death at an early age, 58, left him in the middle of making a grocery list for the canned good pantry he kept stocked, with supplies he had purchased in advance for small home improvement projects he was planning, and with unspent money left in his money clip seemed wrong for his character.

There were no objects out-of-place or mess left lying around in limbo because he always picked up after himself and put things away before he went to bed. He liked things neat and tidy. He used to sweep his freshly mowed lawn with a broom to disperse small stray grass clippings the mulching blade left behind. The lights and ornaments on the artificial Christmas tree he set up and decorated annually were perfectly straight and evenly spaced as if with a ruler. He hung silver icicles one strand at a time.

As it happened, I inherited his artificial Christmas tree. Each year I take it from the large cardboard box in my crawl space and assemble its skeleton of branches just as he did. I have his ornaments also, but I keep them packed away in the same box that he wrapped each one and put it away for the last time. I decorate his tree with the ornaments that have we have accumulated as we build our own family tradition. But even if I used his box of ornaments, I know I could never duplicate the same display he created. I don’t possess his patience or sense of order and balance. It is a picture of perfection I hold in my mind.

My father loved Christmas. He also loved music and movies.

In all these things, I can still find him and reconnect with him there. It’s an ongoing relationship with a lot of history.

My dad was a kid who went to the movies in the 1940s before there was television. 

According to the historical cost calculator at (www.davemanuel.com), in 1933, the year my father was born, a movie ticket cost about 35 cents. The price dropped to 25 cents during the Great Depression and crept back up to 35 cents around 1945, when my father would have been going to movies with his friends. The year I was born, in 1959, a ticket cost about 50 cents. When I was going to movies with my friends in the 1970s, it was up to about $1.75. In the 1980’s, it had increased to about $3.00. And, at the time my father died, in 1992, it cost $4.00 to see a movie. Today, it costs $8.00, or more, in 3-D even though there are a lot more ways to see movies than ever before.

My father knew the value of a dollar.

Knowing my dad had to pay good money to see a movie when he was young and he didn’t have much is a testament of its value to him. There are so many things that he did without. He told stories of having a bicycle without a seat, only two pair of pants and three shirts to attend school, and the endearing family story of how my father and his sister surprised my grandmother one Christmas by saving and putting their money together to purchase their mama a new stove.

He saved his money for his loved ones.

A poor kid like my dad needed to somehow come up with an extra quarter a week to go to a theatre and pay for a movie. He had lied about his age, said he was 11, to be able to get a paper route when he was only 9 years old. He did this to help his widowed mother support the family. Because he worked, she could worry less and he it also meant he had some disposable income of his own to pay for his love of movies.

My dad recalled spending Saturdays at double or triple features where there would be cartoons, newsreels, serial shorts, a B-Movie selection, and the feature presentation. It was a golden age spent in the big ornate theatres of the day. He also worked as an usher for a time, but there was some trouble related to letting some friends sneak in a back door for free, and that ended his movie career abruptly. 

My dad was always more of a film connoisseur than a critic. He liked a good story.

My dad liked westerns, gangster flicks, war films. He admired Glenn Ford in Four Horsemen of the Apocalypse–that film was one of his all-time favorites and he considered Glenn Ford one of the most underrated actors of his generation. He liked to root for the underdog in a game and back the long-shot in a horse race.

My father appreciated the Great American classics–epics, adventures, mysteries, romance, suspense–dramas more than comedies–although he idolized the work of the silent comics: Buster Keaton, Laurel and Hardy, but especially he praised the work of Charlie Chaplin and appreciated the little tramp’s genius. It was why I selected Chaplin’s tune “Smile” from the end scene of his 1935 film Modern Times to be played last at my father’s funeral service. I feel sure my dad would have supported that choice.

My dad liked television because he could watch the movies he loved at home. He also watched sports: Football, basketball, but especially baseball games.

When I was growing up,  for many years, we had only one TV in our living room for shared viewing. It was called a console back then and considered as a piece of furniture, but really it was an appliance with dials and knobs and tubes and wiring inside. My father understood how televisions worked and he took several broken ones apart but he never learned to fix them. So, he was careful about purchasing TVs. He researched features and components and read technical reviews. He never bought the cheapest model nor the most expensive. He studied the mid-price models until he found what he wanted, and then waited for a sale, or negotiated with the salesman to obtain a deal for paying in cash upfront rather than making payments on time.

In our town, we had a local celebrity called Fritz the Nite Owl who hosted old movies shown at 11:30 on Channel 10, sometimes with witty audio commentary. My father and I stayed up and watched along with Fritz when there was a good one on during the summers, and once in a while on school nights when a favorite movie was being shown. I was an A student and my dad let me stay up to watch. In those days, you had to make the time to watch a movie when it was being shown. There was no way to save it for later.

We saw a lot of the old classics together that way.

My dad was more of a film historian than an analyst.

He had an uncanny knack for remembering the names of all the old character actors, especially from the Hollywood studio system days when character actors made walk-on appearances in hundreds of films. My dad stayed to the end to read movie credits and he taught me the importance of that. 

It embarrasses and annoys my two children when I do that in theatres today, but I have pointed out that some directors reward this practice by attaching blooper reels, surprises, or featuring full versions of songs by popular artists. Because of special effects, movie credits today may have hundreds of names. But being one of many doesn’t lessen the importance of being one. If it was me, or my child, I would wait hours for that name to be read. I can wait the few minutes it takes to pay respect to another son or daughter’s contribution. “You’re weird, mom,” my children say.

I may be weird but I know trivial pursuits are sometimes rewarded.

In the late 1970’s, my father helped me win an “I Stumped The King of Trivia” t-shirt on a local radio call-in show hosted by Steve Boom-Boom Cannon. One evening the question he posed was “Who was the actor who kills Willie Stark in the film All The Kings Men?” My father knew for sure the name of the actor was Shepperd Strudwick. I made the call and got on the air. Steve announced the answer was correct. Having the answer to the question was part one of the challenge. You then had to be able to ask Steve a question he could not answer. I came up with the trivia question that stumped him off the top of my head. “What Eyes of Laura Mars star played Ryan O’Neal’s across the hall neighbor at Harvard in the movie Love Story?” Steve guessed Faye Dunaway. But I knew the answer was Tommy Lee Jones. So, my father and I won this game together. And I got to keep the t-shirt.

My dad and I made an unbeatable team at the Silver Screen edition of the Trivial Pursuit game when it came out in 1983. No one would play against us. So, we played it with one another. When we had exhausted the questions provided, we improvised our own version by making up an original question based on the topic of the printed cards we drew from the deck. I lost often. I learned a lot. It never got old. I miss playing games with my dad. I have never found a better partner.

Back and forth…we tossed the ball.

When cable TV arrived, it cost a monthly fee to be hooked up. But my frugal dad thought it was worth the price and signed the household up to receive the service. It definitely broadened his horizon. Ted Turner’s superstation WTBS from Atlanta, WOR and the USA Network from New York, and WGN from Chicago, and WUAB out of Cleveland all showed classic movies as part of their weekly schedules. There were premium movie channels that cost extra, but which offered the chance to see recent releases before they made it to cable or network program schedules. The floodgates had opened, and movies my father loved and remembered that had not been seen for many years became available to him.

Still, in those early days, you had to make an appointment.

I remember how my dad studied the weekly cable guide that came with the Sunday paper and followed a plan to schedule his time to see his favorite movies showing when he could. Sometimes it meant waking up in the middle of the night to catch a rare classic. He would often take a nap in the early evening so he could stay up late at night or be up in the early morning to see an old film he remembered from his youth. He would alert me of times and invite me to join him in watching certain ones he wanted me to see. And I would join him when I could.

Among his all-time favorites: Spencer Tracy in Northwest Passage and Bad Day At Black Rock; Henry Fonda in The Return of Frank James and The Ox-Bow Incident; James Cagney in White Heat; Gregory Peck in Duel in the Sun;  John Wayne, he truly admired, especially in the westerns: Stagecoach, Red River, She Wore A Yellow Ribbon, The Searchers, True Grit and The Shootist

Humphrey Bogart he would watch in anything.  He loved Bogie and had something good to say about every role he had played; Casablanca, Maltese Falcon, African Queen–all favorites. He was especially fond of of the western Treasure of the Sierra Madre. This was a film he never grew tired of and always watched whenever it was on.  In that film, he loved Walter Houston’s performance.

My dad liked Errol Flynn in They Died With Their Boots On, and as the swashbuckler, and also in The Adventures of Robin Hood.  He strongly related to Gary Cooper in High Noon and admired the performance of Katy Jurado in that film.  He loved James Dean in Giant; Paul Newman in Hud, Cool Hand Luke, and The Verdict; William Holden in Picnic; Robert Mitchum in Rio Bravo; and he enjoyed Clint Eastwood and Lee Marvin doing their own singing in Paint Your Wagon. 

My dad always had a soft spot for the MGM musicals and not only because musicals were my favorite film genre. The one musical we tried to never miss was Seven Brides for Seven Brothers. My dad was also great fan of Butch Cassidy and the Sundance Kid, not just because he loved William Goldman’s screenplay and admired Newman and Redford, but because he loved the song “Raindrops Keep Falling on My Head.” He wore out that soundtrack album playing it so often, I bought him another copy for his record collection.

These are all films he taped to save once there was such a thing as home video recorders. This is how he left his keepsakes for me.

In movies such as these that we watched together, I can see fictional brushstrokes that reveal a real-life portrait of my father. Meaningful stories that inspired him, characters he related to, scenes that left lingering impressions, dialogue or lyrics that rang so true and resonated in him. By focusing my attention on what he saw in this way, he showed me unspoken matters of his heart and soul. In shared ways of seeing, I could understand my father in deeper ways than if he had written me the story of his life in 100,000 words.

What caught his undivided attention in music and movies illuminated his character to me, and fortunately, at prime times, I was in ready fielding position, so, “I got it.” And even though he is gone, knowing these clues exist, offer a kind of treasure map and keep me close to him in spirit.

“Hey, they’re showing To Kill A Mockingbird on cable tonight at 11:30.” And even though we had seen that one together before, I would say: “I’ll be home. Let’s watch it.”

When I stumbled upon it at a flea market in the early 1980’s, I paid a whopping $50 dollars for the soundtrack album of that film (rare in mint condition) to add to my father’s collection of film soundtrack recordings. In those days before video recording, film lovers could re-live a film by putting on its soundtrack and as the musical score played, remember the scenes from a favorite movie playing out in their minds. Some soundtrack recordings even featured clips of key dialogue. So, my father and I watched and we also listened together and we remembered and we shared.

Is there a better way to know a person than by making a point to know and understand what one loves and relates to and share in moments that provide meaning and inspiration?

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An Unemployed Jacket Salesman

Unemployed is my new status.

Over the past 20 years–particularly the last 10–I have watched people in my age group wrestle with their jobs and joblessness in unexpected ways. Faced with an unplanned career detour at 54, I have joined the ranks of mature, overqualified, displaced workers.

I did not quit my previous job; my job quit me. It feels like a break-up.

Doo, doo, doo down doo be do down, down
Come on come on
Down doo be do down, down
Come on come on
Down doo be do down, down
Breaking up is hard to do.,,

HA-HA! Or, for those who may not immediately recognize this song: LOL!

I suppose there is some sort of peace of mind in knowing I am not alone in my situation.

Some people I went to high school with are retiring after 25 or 30 years of service–these are people who had a plan that worked out for them. They became teachers, clerks, state employees, went into the army or civil service as a career, and have diligently completed their required amount of duty. Maybe they did not encounter change or were not as impacted by it as others. Some of these retirees are launching or considering second careers. Kudos to them!

Others I know are trying to hold on for dear life. One of my friends has had her career interrupted to deal with cancer; another was forced to take a demotion to continue working because her existing job was eliminated as a cost-saving measure, another received a pink slip after 30 years of service because she refused to leave her family to transfer to another state. We middle-aged Sisyphus rock pushers try to stay the course and remain calm as the ghost of Harry Chapin chants ominously in our heads: The rock is going to fall on us:

Everybody knows the rock leans over the town
Everybody knows that it won’t tumble to the ground
Everybody knows of those who say the end is near
Everybody knows that life goes on as usual round here

And, yes, there are a few unfortunate souls who have lost their perch entirely and are hopelessly sinking or have already sunk. One of my best friends lost his full-time job almost five years ago and though he has a college degree and plenty of work experience, he has not successfully been able to re-enter the workforce and now depends on the charity of family members and food stamps to survive. Sadly, I know a good many of these lost characters in search of a livelihood.

There but for the grace of God go I.

I am reminded how John Bradford spoke those words as a prisoner in the Tower of London when he saw criminals being led toward their execution. Watching these struggles of my peers to hold a job is like watching the evicted Okies ruined in the dust, piling their belongings on their trucks, and hitting the road to become migrant workers in John Ford’s film of Steinbeck’s The Grapes of Wrath.

That was a 1940’s view of the Great Depression, the time period in which my parents were born and that my grandparents were living and trying to work. They never forgot that experience.  They saved everything and wasted nothing. They raised us with the values they understood when times were hard.

It worked. Life was good, or so I’m told, and so it seems, when looking back.

People were comfortable and prosperous in the 1950’s, unsettled and ready for change in the 1960’s, apathetic and complacent in the 1970s, and excessive and materialistic in the 1980’s.

In his 1987 novel, Bonfire of the Vanities, Tom Wolfe showed us how even a “Master of the Universe,” who has managed to reach the pinnacle of success and have it all, can be one wrong turn away from experiencing total devastation and end up losing everything. It is the lesson of how one mistake or accident can bring you down.

I paid attention to that. It felt true.

Fragile and volatile. That was Wolfe’s 1980’s view of the unstable economy. We had been so worried about Inflation in the 70’s. When the crash came, it was called a Recession. And we seem to keep having these. It seems like we can’t recover even though politicians and money handlers talk about the Recovery. But Bailout seems more accurate.

They give us fish but keep closing the fishing holes where we could fish for ourselves.

We have had the 1990’s. A new millennium. We are in our second decade of the 2000’s.  It’s all a blur. We worry so much about being politically correct we are afraid to say anything. We can’t afford quality so we super-size quantity. We spend too much and everything is disposable. But it’s okay because we recycle. Go green!

What have we learned from going through all of this together? I have been living and mostly working through these times and I don’t have a good answer.  Just a resounding question:

What the hell just happened?

It wasn’t supposed to be like this.

I am not supposed to be unemployed at 54.

I am supposed to be working until I am 67 and a half. Then I can retire. That’s what I was told.

Back in the beginning, when I had my choice to make, I took the career path!

I was a college student from 1977 to 1983. I spent about two years as a college level instructor as I transitioned from academia into the workforce. Since I started working in my chosen profession in 1985, I have been on one long career path in various positions related to training development and technical writing with some hops, skips, and jumps up and down the ladder. 

Along the way, I got married (in 1990) and I had two daughters, one in 1991, one in 2002.I have bought one house that I live in and purchased seven cars and am currently paying on loans for two. I have paid tuition for both of my daughters to attend private schools because I believe in quality education.

I also believe in lifelong learning. That may be why at this crossroads, I am considering going back to school. But really I need to work. I can’t think about retirement now because I’m not done getting the things we need yet.

It is hard to think positively about starting over at some new job for some obvious big picture reasons, including my age in relationship to the overall workforce and the overall state of the economy; and some more personal reasons as well, including the fact that my family depends upon me to provide income to our household and the unpleasant details surrounding how I was let go from my previous employment unjustly and without warning.

What the hell just happened (2)?

On so many levels, the rules of the game have changed for all of us older workers.

Unless you decide to embrace a belief system in which the pursuit of happiness can be ultimately valued higher than the pursuit of a career. And then, if you can be lucky enough find a reasonable way to be happy with what you have, earn enough money to address your basic needs and pay ever-rising taxes, and blissfully ignore the tidal wave of marketing and commercialism because you have the willpower to want less than others. And then, finally, you have to be willing to accept being a little (or a lot) worse off than your parents were in their lives.

I came of age in the 1970s, at a time when our middle-class working parents were in jobs that lasted longer. Parents were in professions or trades, part of a company or organization, members of a union or not,  state or municipal employees, public or civil service jobs. Some people were independent contractors or technicians, had their own businesses, but that was unusual and not the norm.

I don’t think my father ever had a resume in his life and I know my  mother didn’t. My father was a firefighter on a 24 hour shift every third day and worked part-time as an appliance repairman on his days “off” until he retired at age 55 with a pension that he received until he died suddenly at 58, which was much too soon.

My mother was a homemaker and caregiver to my disabled sister. She was never paid for this service and has never retired. At 80, she continues to run her own home and care for my sister. She and my sister both receive Social Security benefits and a small survivor pension–even with their combined incomes they fall below the currently recognized poverty line.

My mother was a product of the middle class but she would now be classified as a poor senior. Her home is paid for and she is in good health. So she is comfortable and fortunate.

I can only hope that somehow I will wind up in the same boat. But, I will have to do some strategic paddling to get there from here.

I never thought it would be an issue for me.

I was voted Most Likely To Succeed in my high school graduating class. And, I have succeeded, for the most part, at everything I have tried. But here I am suddenly without an income. It is hard not to think: After all this way I have come so far, will I fail to reach a socially acceptable finish line?

Who would have thought I could wind up “an unemployed jacket salesman.”

It’s a funny reference.

In 1976, Ann Beattie published a novel called Chilly Scenes of Winter. It was made into a film in 1979 by Joan Micklin Silver. It is about a guy named Charles (played by John Heard) who loves Laura (Mary Beth Hurt). Charles has a best friend named Sam (played by Peter Riegert). When asked what he does for a living, Sam introduces himself as “an unemployed jacket salesman.” It is a clever and funny way to immediately develop Sam’s character to an audience in a few choice words: We understand that Sam is chronically unambitious. And we come to find he is more happy maintaining his status as an unemployed jacket salesman than is unhappy Charles who goes to work each day in an office and supports Sam, allowing him to stay in a spare room in a house Charles has inherited from his grandmother and giving Sam money to buy groceries even though Sam fails at this task and instead spends the grocery money on wine because he runs into a sale when he goes out.

And so I think about all the ways, I could present my own character.

I am an unemployed paper carrier.

I began working when I was 14. I had a paper route. I was responsible to deliver the evening paper Monday through Saturday and the Sunday edition in the early morning. I worked 365 days a year. To go on vacation or have a day off, I had to find a substitute and either pay them some fee for filling in for me or participate in the common  practice of getting another paper carrier to fill in for me in exchange for filling in for them when something came up. That meant working quickly to prep both sets of papers and deliver two routes in the same time frame. All paper carriers in the city in these days were kids with bikes. Adults with cars did rural routes or served as route managers in those days. Paper carriers were independent contractors who had route managers. Paper carriers were encouraged and incented to “sell” to non-subscribers on their route but that was optional; there were no quotas or real pressure. Adding new subscribers meant earning more money from collection on a route and was part of a reward and recognition program that commended carriers for elements of customer service such as receiving letters of satisfaction and having no complaint. Paper carriers paid a monthly bill for the face value of their papers. Subscribers paid the paper carriers by the week but most collected for four weeks once a month. Paper carriers depended on the tips which ranged anywhere from the subscriber saying “keep the change” when their monthly bill was a dollar amount and odd cents or offering what was owed PLUS a dollar. At Christmastime, subscribers gave paper carriers extra tips sometimes as much as five dollars. It all added up.

I am an unemployed waitress.

I gave up my paper route to become a waitress at a department store restaurant when I was 16. I worked 30 hours a week while going to high school, 8 hours on Saturday was mandatory for the part-timers, and I worked up to 40 hours per week in the summertime and over Christmas holidays. Because the restaurant was inside a high-volume department store, it was slammed at Christmastime with what seemed like endless lines of shoppers hoping to sit for a time and take a break enjoying Shopper’s Specials. For this work, I made a small hourly rate which was less than minimum wage and counted on my tips. In addition to taking orders, submitting them to the cooks on the line, and delivering food, waitresses did the math to calculate the food bill and customers would pay what they owed and leave a tip. The tip could amount to the difference between the food bill and the next whole dollar amount, or it could be 15%, or it could be more, but that was rare. At the time, getting a $1.00 bill as a tip –which were known as “Georges” among the crew–instead of change in coins was the mark of a high achiever. And when you got those Georges, you felt like you earned them but the coins were important too. It all added up.

I was able to buy a used car, pay for its gas and insurance, and personal expenses. The part-time waitress staff of younger workers allowed a set of senior women to work a regular stable 40-hour week for the company. We filled in the blanks so that people like Marge, Pauline, Alma, Trudy, and Martha Jane could be full-time employees with benefits, and have holidays and vacations and even retire from these jobs. This part-time job allowed me to pay my way through college as a full-time (20 credit hour) commuter student living at home with my parents. College tuition at that time was approximately $305 a quarter and I could earn that as a waitress, easy. I had no loans. I had no credit cards. I paid as I went.  If I wanted something expensive or to go on a vacation to a beach, I had to save for it. That was they way you did things back then.

I am an unemployed switchboard operator.

I gave up my waitress job to become the evening and weekend switchboard operator at a local car dealership–I was the part-time fill in the blank for a position held by a senior woman named Eleanor who worked a 40 hour week with benefits including a retirement plan. I covered the additional hours required for the business. The switchboard I operated was an old style system. There were numbered holes on the flat panel board that were the extensions within the building a cords. There were holes across the bottom of the console that were outside lines. When calls came in, you plugged into the lighted line and answered the phone by speaking the company name along with a greeting “Good morning/afternoon/evening…how may I direct your call?” During the day callers had to be connected to the correct department and person in sales, service, parts. This required placing the corresponding cord pair of the live line into the proper hole on the panel board for the extension. If the hole was already lighted it meant the receiver was open and you would plug-in and listen for a few seconds to make sure the caller and receiver were talking and then you would push a button so the conversation was private. When they were finished talking, the lights would blink to show the call was disconnected and you would then unplug the cords to free up the extension and the outside line. Most callers in the evening hours between needed to speak with one of the salespeople who walked around the showroom floor or out in the lot.  When a call came in for a salesperson, I would have to turn on the PA system and announce the name of the person who needed to answer a phone call over the loudspeaker. After a specific name was announced, an extension on the board would light up showing where to plug the cord in to connect the caller with the receiver of the call. It wasn’t brain surgery but it was important and having this job allowed me to pay my own way.

I am an unemployed assembly line worker.

After I graduated from college, I decided I wanted to go to graduate school. In the summer before graduate school, I left my job as the evening switchboard operator to work as a full-time assembly line worker making vending machine sandwiches. I was able to work 40 hours a week with overtime at a higher hourly rate. I took this job to earn as much as possible before leaving to live on my own in an apartment while attending graduate school. I was added on as summer help to a crew of middle-aged and older women who did the work full-time, earning salary and benefits. The company had a contract to pack a summer lunch program for schools and parks and I was brought on to help meet the demands of this contract. Working on an assembly line was mindless work but it required speed and attention to detail. The set up was exactly the same as the famous candy factory assembly line that Lucy and Ethel work on in the classic I Love Lucy episode called job Switching. We assembled sandwiches. There was a set-up for each type of sandwich, This meant that you would work at a station on the assembly line related to the type of sandwich being assembled. At times you would be responsible for setting the base flat and straight (bottom of the bun), adding the meat or the cheese or filling, and topping it off (top of the bun), operating the automated cellophane wrapper machine, affixing the proper label to the wrapped sandwich, and packing the finished product neatly in large cardboard boxes for shipment. When the sandwich making was done, we had to assemble the boxed lunches for the contract which included packing a sandwich we had made with chips, fruit and drink into a pre-formed box and then pack the lunches into large cardboard boxes for shipping. We did this work around a table rather than on the assembly line but the dis. Each station’s individual success depended on the speed and skill of the others and the work involved meeting standards and functioning well as a team.

I am an unemployed college instructor. 

To be able to go to graduate school, I applied for programs that offered the opportunity to receive tuition and a monthly stipend for working as a teaching assistant (TA). I was accepted into the Professional Writing and Linguistics Program at Northeastern University in Boston. which was one of the few technical writing programs in the country at the time. My parents weren’t able to pay for my choice to pursue higher education. There was no “student loan” options available at that time. The only reason I could consider doing such a thing is that I could pay my own way and support myself by working for it. I had to earn it. I moved from home and my hometown on Square Root Day 1981 and began earning my graduate degree. My parents helped me with living expenses by sending me a care package every quarter that included some extra cash. I remember spending $20 a week at the grocery store. I ate a lot of soup, macaroni and cheese, peanut butter sandwiches, and Ramen noodles. I left my car in Ohio and used public transportation the entire time I lived in Boston. I got rides from friends with cars when I needed to go somewhere I couldn’t navigate to by walking or using the MBTA. I found places to drink that offered free peel and eat shrimp during happy hour and there were a lot of arts and activities around Boston that were essentially free. And I took advantage and made the most of my opportunity to experience life in that amazing city. I had dreams of becoming a famous writer then. I even had a short story published in a literary journal. I completed my degree in Professional Writing and I have found employment as a professional writer in some capacity since then so the “writer” part came true, even if I did not become famous, I felt successful.

So, I could also tell you…I am an unemployed writer. I am an unemployed editor. I am an unemployed training developer. I am an unemployed data base specialist. I am an unemployed documentation manager. I am an unemployed project manager. I am an unemployed independent consultant. I am an unemployed scoring director. I am an unemployed technical writer. I am an unemployed wife. I am an unemployed mother. I am an unemployed caregiver. 

But does that really make me sound any less unambitious than being just another “unemployed jacket salesman?”

Or as Dr. Seuss so wisely put it:

I Am Sam. Sam I am.

So, I am unemployed in search of a job.  Maybe I will find one.

One last interesting detail about Neil Sedaka and his song Breaking Up Is Hard To Do. He recorded it twice. He had a #1 hit with the song in the 1960’s in his heyday. He recorded it again in the 1970’s. It was slower version the second time around. But it made the charts. He made his comeback: Sedaka’s Back.

Maybe I will have my comeback, too!

But I will always be a writer in search of a reader. Maybe this blog will find one.

If so, sing along with me:

Doo, doo, doo down doo be do down, down
Come on come on
Down doo be do down, down
Come on come on
Down doo be do down, down
Breaking up is hard to do.

Don’t take your love away from me
Don’t you leave my heart in misery.
If you go then I’ll be blue
’cause breaking up is hard to do.

Remember when you held me tight
And you kissed me all through the night
Think of all that we’ve been through
’cause breaking up is hard to do.

They say that breaking up is hard to do.
Now I know I know that it’s true
Don’t say that this is the end.
Instead of breaking up
I wish that we are making up again.

I beg of you don’t say goodbye.
Can’t we give our love another try.
Come on baby let’s start a new
’cause breaking up is hard to do.

They say that breaking up is hard to do.
Now I know I know that it’s true
Don’t say that this is the end.
Instead of breaking up
I wish that we are making up again.

I beg of you don’t say goodbye.
Can’t we give our love another try.
Come on baby let’s start a new
’cause breaking up is hard to do.

Doo, doo, doo down doo be do down, down
Come on come on
Down doo be do down, down
Come on come on
Down doo be do down, down
Breaking up is hard to do.

-Neil Sedaka

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Thinking of Others

When I was in college in the late 70’s, I happened to read a play by Jean Paul Sartre called No Exit. It struck me then and has stuck with me since. Sartre was an existentialist philosopher concerned with theories of being and nothingness. “To be or not to be” was Hamlet’s question as he wrestled with his situation in Denmark immobilized by indecision; Virginia Woolf wrote about “moments of being” as her way of separating wheat from chaff, the extraordinary from the ordinary, in life. As an English major, I pondered such literary dilemmas looking for enlightenment.

Sartre’s play envisions the conditions of an afterlife. Three previously unacquainted people are locked in a room with one another for eternity. There are no windows. There are no mirrors. There is no means of privacy. Sense of self as well as personal peace of mind is impossible in the presence of these others; in stark contrast to a sense of self that may be developed or conjured when one is forced into a solitary confinement. The only way to “see” themselves is as a reflection of what the others “see” in them.

This situation becomes torturous and maddening for these characters.  It is Hell. The resounding revelation is:

“Hell is other people.”

No Exit is set in afterlife, but in real life, at times, I have experienced a similar feeling of hellish entrapment with other people. I may feel isolated sometimes or lonely often but I am not alone. I depend on others and others depend on me.  What happens to me good or bad affects others. Relationships ebb and flow, priorities change with loss and age, and feelings don’t last.

To maintain this slow simmer of middle age is more of a challenge than I ever imagined it would be. I did not ever anticipate how much time in my life I would spend waiting. I sleep erratically which means I dream less. I seem to keep having to start over even though it is unlikely I will move from this place. I am fastened in by responsibility. I am burdened by debt and lack a room of my own.

How I got here is sometimes just as puzzling to me as where I am supposed to be going from here.

Time passing and passing the time is a kind of mindless busy work that is measured in increments but is really just the same grains of sand recycling as the hourglass is turned upward one day and downward the next. It is rote and routine activity; so much depends on others causing my hourglass to twist and turn. And there is the occasional clog when things come to a virtual standstill until proper attention is paid to fix the problem.

Getting what you want is not about setting up to catch for the win. It is all about the purposeful means of moving the sands of time forward each day that truly matters in the end. The loose ends you leave behind unravel and fall away or become the ongoing concern of someone else.

Days on Earth are spent navigating nature’s random placement of stepping-stones to cross a stream from one safe foothold to the next. It’s a rare skill to be able recognize the unexpected perfect landing that may happen between a rock and hard place. It’s an art to manage to stay put there, maintaining a nesting place is the routine battle.

At the edge—out on a limb—anyone can make a required leap. Staying put, remaining constant and committed is the ongoing struggle in real life. It’s not the plummet or the climb; you sweat those out under pressure; it’s the plodding along and the endless waiting that truly tests your resolve.

Is this being or nothingness I feel? Who am I? Am I really as important to others as I think I am? Do I know them? Do they know me? Are we really in this together?

Teri Garr may have captured the back and forth dilemma of selfliness and otherliness best in the movie Tootsie when her character, Sandy, utters some infamous lines to Dustin Hoffman after their platonic friendship becomes complicated by an impromptu one-night stand:

“I never said I love you, I don’t care about I love you! I read “The Second Sex,” I read “The Cinderella Complex,” I’m responsible for my own orgasms, I don’t care! I just don’t like to be lied to!”

In this film, Dustin Hoffman’s character, Michael Dorsey, deceives others by changing his appearance and acting as a convincing woman even though he is hiding the fact he is actually a man.

This entertaining movie cleverly explores the theme of gender stereotypes in our society but it has a lot to say about all our relationships with others. It challenges us to think about how others “see” us and don’t “see” us and how much the roles we choose to play define us or cloak us. It also suggests that mere disguise does not change underlying truth.

Dustin Hoffman makes the point famously:

“I was a better man with you, as a woman… than I ever was with a woman, as a man.” 

How often we struggle to be true to ourselves and yet not to be at odds with others in doing so.

How we relate with others becomes the very fabric of our lives.  Family. Friendship. Love. Identity. Commitment. Shared Values and Beliefs. What is too much? What is not enough? Always questions. Thoughts unspoken. Loose ends. Stones unturned. No absolute certainty. Only shades of gray.

And yet how do we ever really understand the viewpoint of another person?

In the 8th grade, I first read Anne Frank’s lingering words of hopefulness recorded in a diary she kept while imprisoned with others in an attic hiding from the Nazis–she leaves a message of hopefulness:

“Despite everything, I believe that people are really good at heart.” 

In the same class, we also read Harper Lee’s novel To Kill A Mockingbird  in which Scout shares her father’s viewpoint on judging others:

“Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them.” 

These are important influences for me in dealing with others.

But so often, I find myself thinking of John Donne’s poem, which explains kinship to others in a few brilliant and beautiful lines:

“No man is an island entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as any manner of thy friends or of thine own were; any man’s death diminishes me, because I am involved in mankind. And therefore never send to know for whom the bell tolls; it tolls for thee.”

So, I consciously resist the comfort of my own island and keep trying my best to relate to others, to listen, to reach out, to be approachable, to stay involved in mankind.

But, I often feel thwarted and occasionally get shattered.

Eventually, people will disappoint you. Even people who most of the time love you, care for you, or delight you. And the slight or hurt will occur at the worst possible moment for coping more often than not. 

Disappointment can come as the result of a minor lapse on the part of another like missing an appointment or arriving too late to provide some support that was needed; these incidents would be lumped in the forgiven but not forgotten category. A major betrayal of good faith or trust by another person tends to result in the bitterest form of disappointment with another; a jet plane deliberately crashing into the World Trade Center; impossible to forget and forgiveness, always possible, takes time and work.  

Not that it lessens the blow when it happens to you, but hurtfulness tends to be reciprocal in nature. And it repeats itself with pure and simple randomness. Or in other words, what goes round, comes round, as the saying goes.

Decisions and choices you make usually have impacts and consequences for otherssome that are factored and some that are unintended; just as decisions and choices made by others with some relationship to you or even by complete strangers not associated with you may lead to unexpected impacts and consequences in your life.

Deliberate disregard or insensitivity is difficult to accept as fact and find a way to move on without any baggage; forgiveness of a wrong is more possible when you can see some sense of right in another’s wrong and come to believe as Jesus said:

“They know not what they do.”

So, there is also that Golden Rule that Jesus teaches to consider: “So in everything, do to others what you would have them do to you,” along with its companion verse:“Love thy neighbor as thyself.”

The idea is: Thinking of others will make us behave better than thinking only of ourselves.

The lesson is: This way of thinking is not instinctive. And it is not the advice we are given to improve or get ahead in life.

How do you achieve?

Look out for #1. Put yourself first. “To thine own self be true,” does not come from the Bible, it comes from Shakespeare’s play Hamlet. To be more virtuous, must we be less ambitious?

Thinking of others is not the way we are taught to win.

In the 7 Habits of Highly Effective People, Stephen Covey tells us how to Think Win-Win:

“To go for win-win, you not only have to be empathetic, but you also have to be confident. You not only have to be considerate and sensitive, you also have to be brave.”

Covey admits it’s a difficult balance.

I Win-You Lose is much easier and considered a fair adult game. Everybody plays, everybody wins is just child’s play. Every success does not necessarily require someone else’s failure, but in a power struggle or polarizing disagreement, there is often the need for compromise, concession, or surrender.

And the question becomes: Is my position here more important to hold onto than the others? Is this a hill I want to die on?

You Win-I Lose is really just giving up, it’s caving…isn’t it? Or could it be a reasonable solution if you consider other people basically good at heart, take the time to stand in their shoes, and come off your island when you hear the bell toll.

Putting the needs of others before your own is not instinctive. It is learned behavior. The cause must be worthy of subservience.

Self-sacrifice for others is viewed as heroic as when Mr. Spock explains to Admiral Kirk his decision to sacrifice his life to save the Enterprise in The Wrath of Khan; he tells us logic dictates that “the needs of the many outweigh the needs…of the few…or the one.” 

When you make a sacrifice for others, you want it to have meaning. When the meaning is lost, discounted in some way, or goes unnoticed into oblivion, there is that disappointment.

But, for you, it will remain a moment of being.

Every experience you live through, every other person you chance to know is with you every day and ever after part of your wake. A moment from the past can be pinpointed within every choice you make, the baggage carried along going this way and the debris left behind going that way. No one independent why or why not ever makes or breaks you. I think it is how you put together the positives and negatives you have collected that gives direction and meaning to the path you take to move forward.

How are we judged?

There is a film called Defending Your Life that was written and directed by comedian Albert Brooks.  It envisions the conditions of afterlife.  After living their life, people are detained in waiting to determine whether they will move on to a next destination or return to Earth to try living over again. To decide their ultimate fate, they must face a prosecution with counsel before a panel of judges to defend their life on Earth. During these trials, key moments from their lives are projected for review.  What is projected to them for review is not the stuff listed on resumes or remembered in obituaries but they are presented with key moments of being. The surprise twist its that it is not about the big picture; it is about little details. In Brooks’ afterlife model, the defense of your life rests on how you handled yourself when faced with fear in your life. Did you take proper action or were you immobilized by it? His message for living life on Earth to its fullest is: “Fight fear.”

Of all the concepts of afterlife I have been exposed to, I may like this one the best. I have thought about what moments my review reel might contain.  Looking back on things I have done and not done, I wonder if I would do the same if I had to defend my life on Earth based on the choice I made at the time. Unlike looking through a scrapbook or watching the old home movies that capture achievements and events, I think of little incidents in life where my character comes shining through, when I stand up for what I believe to be right, when I see something happening that no one else does, when I speak up if I believe something is wrong. The idea of this film is definitely an influence. I do try to fight fear and attempt to be brave though I don’t throw caution to the wind. I do consider and recognize how fear can be a factor involved when trying to understand the actions or inaction of others.

There is a quote about fear by Eleanor Roosevelt that crosses my mind right now because I think it is related:

“You gain strength, courage and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, ‘I have lived through this horror. I can take the next thing that comes along.’ You must do the thing you think you cannot do.”

If I am honest, I can tell you that my greatest fear is losing others. Particularly loved ones. But also others who have some meaning in my life. I have difficulty letting go of people for a reason. Just as John Donne wrote that “every man’s death diminishes me,” I have this sense that as people who knew me pass away, they take from this world with them a sense of me that they knew. And somehow I am not the same person anymore, diminished in some way without their light shining on me.

When grieving, people assure you that you will carry your lost loved one with you by keeping their memory alive. I understand and agree with this sentiment but at the same time, I feel that it is also true that part of me has died along with the loved one. And maybe that hollow hole is where the memories should go. But the longer you live, the more people you lose. And maybe at some point you become a hollow soul more filled in with thoughts of others than yourself.

I think it is why the most commonly held vision of an afterlife involves seeing your loved ones again and being with them for all eternity. We all live our lives here and then get to go to Heaven together. It is a more hopeful and a pleasant experience to imagine eternity in the company of those who you loved and who loved you on Earth rather than spending eternity in a room with complete strangers upon whom you depend to reflect back to you who you are as Sartre showed us in No Exit.

There is one more depiction of an afterlife that I want to include here. I have not read the book that it is based on but I happened to watch the film called Five People You Meet in Heaven starring Jon Voight and Ellen Burstyn. I bought this film on DVD for my mother on her birthday but the DVD would not play in her machine so I brought it home to test it on mine and when I pushed play and it worked fine on my player.

I ended up being captivated by the story and watched it from beginning to the end even though I had not planned to. In this story, we learn that there are in your life there are people and places that define your life and you will meet these people and return to these places in Heaven. Each person you will meet in this version of Heaven has a played an important role in shaping your life on Earth though it may have seemed unimportant at the time or you may have missed the significance of this person when you crossed paths or their act altogether when it occurred. And your presence in their life was pivotal in some way as well. The intricacy of the connections and the twists of fate made me think back on my own life.

Have I met one of my five people yet? Am I already someone’s person?

The concept of afterlife presented in this film is a fascinating premise that delivers a powerful message about how other people can touch our lives in simple yet significant ways that will matter to us most in the end.

So, I try to pay attention to the moment, offer assistance to others whenever I can and notice the kindness of others wherever I encounter it.

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